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c. 1445 – May 17, 1510. Italian painter.

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Guido Cagnacci
Death of Cleopatra

ID: 85569

Guido Cagnacci Death of Cleopatra
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Guido Cagnacci Death of Cleopatra


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Guido Cagnacci

(January 19, 1601 - 1663) was an Italian painter of the late-Baroque period, belonging to the Forle painting school and to the Bolognese School. Born in Santarcangelo di Romagna near Rimini, he died in Vienna in 1663. He worked in Rimini from 1627 to 1642. After that, he was in Forle, where absorbed the lesson of the Melozzo's painting. Prior to that he had been in Rome, in contact with Guercino, Guido Reni and Simon Vouet. He may have had an apprenticeship with the elderly Ludovico Carracci. His initial output includes many devotional subjects. But moving to Venice under the name of Guico Baldo Canlassi da Bologna, he renewed a friendship with Nicolas Regnier, and dedicated himself to private salon paintings, often depicting sensuous naked women from thigh upwards, including Lucretia, Cleopatra, and Mary Magdalene.This allies him to a strand of courtly painting, epitomized in Florence by Francesco Furini, Simone Pignoni and others. In 1650, he moved to Venice. In 1658, he traveled to Vienna, where he remained under patronage of the emperor Leopold I. His life was at times tempestuous, as characterized by his failed elopement (1628) with an aristocratic widow. Some contemporaries remark him as eccentric, unreliable and of doubtful morality. He is said to have enjoyed the company of cross-dressing models.  Related Paintings of Guido Cagnacci :. | La morte di Cleopatra | Death of Cleopatra | Maddalena svenuta | Suicied of Cleopatra | Kaiser Leopold I. (1640-1705) im Kronungsharnisch |
Related Artists:
Mortimer Menpes
British Painter, 1855-1939 was a war artist and engraver, author, printmaker and illustrator. Menpes was born at Port Adelaide on 22 February 1855, the second son of property developer James Menpes, who with his wife, Ann, had settled in Australia in 1839. Educated at a private school, he attended classes at the Adelaide school of design, but his formal art training began at the South Kensington School of Art in 1878, after his family had moved back to England in 1875. Edward Poynter was a fellow student at the school. Menpes first exhibited at a Royal Academy exhibition in 1880. Over the following 20 years 35 of his paintings and etchings appeared at the Academy. He set off on a sketching tour of Brittany in 1880 and thereby met James McNeill Whistler, becoming his pupil and at one stage sharing a flat with him at Cheyne Walk on the Embankment in London. Here he was taught etching by Whistler, whose influence, together with that of Japanese design, is evident in his later work. His 1887 trip to Japan led to his first one-man exhibition at Dowdeswell's Gallery (1878-1912) in London. Menpes bought a property at 25 Cadogan Gardens in Sloane Square in 1888 and decorated it in the Japanese style. Whistler and Menpes quarreled in 1888 over the interior design of the house, which Whistler felt was a brazen copying of his own ideas. The house was sold in 1900, and Menpes retired to Kent. In 1900, after the outbreak of the Boer War, Menpes was sent to South Africa as a war artist for the weekly Black and White. With the war's end in 1902 he travelled widely, visiting Burma, Egypt, France, India, Italy, Japan, Kashmir, Mexico, Morocco, and Spain and producing illustrated books of those countries. His book on the Delhi Darbar of illustrated Curzon's grand spectacle of 1903. He married Rosa Mary Grosse in London in 1875. She too, was from Australia and died 23 August 1936. They produced a son, Mortimer James (b. 1879) and two daughters, Rose Maud Goodwin and Dorothy Whistler. Dorothy, Whistler's godchild, married a Mr. Flower and died in Minehead in July 1973 aged 89.
CRANACH, Lucas the Younger
German painter (b. 1515, Wittenberg, d.1586, Weimar) was a German Renaissance artist, known for his woodcuts and paintings. He was a son of Lucas Cranach the Elder who began his career as an apprentice in his father's workshop. Henceforth, his own reputation and fame grew. After his father's death, he assumed control over the workshop. The style of their paintings can be so similar that there have been some difficulties in attribution of their works.
Pandolfo Reschi
(b Gdansk, c. 1640; d Florence, 1696). Polish painter, active in Italy






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